Ghost Bingo Review – Expert Ratings and User Reviews

Ghost Bingo Review – Expert Ratings and User Reviews

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I was fooled by them and the cast to thinking this was going to be a great movie about ghost stories. I feel was was misled and cheated.

The movie started well and I cannot fault the actors or even the scares loved the face in the car window but near the end it seemed like the plot got lazy and decided to just end the movie rather than make something goof out of it.

Like when you were a kid writing a story at school and said "and they woke up and it was all a dream" The ending was very poor and it seemed to me like they were trying to hard to justify it.

Do yourself a favor and give this one a miss. After a slow start, the first story involving Paul Whitehouse is the highlight here.

The rest of the film deteriorates after this leading to a ridiculous cliche and patronising ending. It really is not scary bar a few moments during the first sequence, which is a real shame.

My first reaction is that I need to watch it again. While personally I did not think it was scary, it does have moments that are typical to make the viewer jump.

It does have a big and somewhat surprising twist at the end which I thought was very clever and well executed , however I think the most scary aspect upon reflection is if that twist might actually be true in some real life cases, that is seriously scary and very sad.

It was a good film, I look forward to watching it again, there is some light relief and laughter in one of the tales and some of the acting is very good - Martin Freeman and Alex Lawther particularly.

The problem is that you just don't care about the wrap-around as Prof. Goodman is a priggish bore, an academic bulstered by his own beliefs and ego.

Also, once the twist was revealed even the Prof's name annoyed me slightly - the point felt a little hammered home.

I did feel that the explanation of Locked-in Syndrome was absolutely disgracefull, and not in line with medical science, which was just sloppy: This film is a misunderstanding.

It's pretentious and at the same time incoherent. The thrill is thwarted by the bursts of humor which what's worse seems unintentional.

You got the impression that the director couldn't control his own film, that lack of vision deprived the film from structural order and meaning.

I strongly advise against watching this film. Better stay at home and turn on tv classic like Shining - it's better to see it for the 10th time than watch Ghost Stories.

I watched the cinema listings with the intention of going to see it. I kept watching the cinema listings still with the intention of seeing it.

OK that's my moan out of the way. When I saw this available I pressed the button expecting to be scared out of my pants!

Got to say here and now, not a good film, boring even in places and definitely not the scariest thing I've see. Paul Whitehouse shone in his section of the film but towards the end just gets lost as we have also seen with other films as if, ok let's start finishing, we have either run out of money or the film is long enough as it is already.

Not scary, ending is just silly, no explanation as to who Martin Freeman is and the effects are frankly very British reference coming up 'Double Sided Sticky Tape'.

Ok if its n TV and you have nothing else to do then it will waste with a capital W 90 minutes but honestly another British reference coming up 'Go out and do something else less boring instead'.

Rating 4 out of I was looking forward to seeing this film but unfortunately it didn't deliver. It started well and I was intrigued by the idea of three case files which were supposed to be so extraordinary that after a lifetime of debunking the expert wasn't able to explain or rationalise.

Sadly you never get a full account of any of these experiences and although there were jumpy parts you didn't feel connected enough to the characters to really engage with the film.

The acting in the film was good especially during the first two stories and the tone was interesting and laced with subtle humour. The ending was obvoius, boring and not at all scary.

I would have much preferred to watch a full account of the first story as that was the only part that held my interest and there were hardly any scary parts beyond this.

Some people will enjoy the psychological aspect of this movie but it wasn't for me. Having seen the cast and the hype I was expecting this to be a good example of British horror - but it is far from it.

The story is weak and feels as though it was something someone slung together on a lunch break. You are an external viewer, and that is very much how watching this film feels.

It doesn't invite you in to the story let alone share any experience with the characters. There are far better independent British horror worth watching.

Where do you start? The acting, directing, lighting etc etc were all fine and some aspects good but the story.

Oh the unoriginal story and predictably poor ending. If you are easily spooked and jump at the drop of a pin then you may enjoy this movie whilst watching it in the dark and to be honest its not a bad movie as such just a very disappointing movie.

If on the other hand it takes more than a pin drop to make you jump and you don't enjoy movies that have awful endings then avoid watching this movie.

As a movie it fails; had it been the ending to a television short or a mini series then perhaps it would have been less disappointing. It reminded me of the stuff that used to scare me as a kid watching hammer house of horror and the like.

In fact that's probably where I remember the ending and story from. If you are easily scared and creeped out then watch it you may enjoy it; if not then stay away.

I'll start with the positive, the acting is great but the stories are a little messy and just over half way through I found it ridiculous. Although by the end it's clear I just felt it lost it's way a bit.

Not really what I was expecting. As an avid horror fan, I found this movie to be boring, extremely dull and not effective, at all, in terms of being scary.

It was, honestly, difficult to endure it till the end. Andy has apparently done some sort of show in London, which quite a few friends of mine watched and recommended.

So in the UK this may have an even bigger fan base than anywhere else. But the translation no pun intended onto the big screen is working all around the world.

Because we have universal themes and fear is in all of us. So we embark on a voyage with a disbeliever, someone who like most of us does not believe in Ghosts.

And we try to find out with him, where it all leads and if some of the stories told have at least some truth to it. Of course the impact of the stories vary.

When it gets dark you may have some issues keeping it together. One thing is for sure, this very well told. No matter what you think of its final resolution.

It was so stupid and so random. You're confused throughout the entire thing, which is only a bad thing when it doesn't explain anything that confused you which is what happened.

Why was his dad even featured in this when it legit had nothing to do with him? Why did it matter that his sister was dating a non jew? She wasn't even a part of the plot.

Also the devil baby????? You never let us look at the thing, why even make it a part of the movie?! Why did he try and kill himself this many years later after leaving a boy to die?

Why was he dreaming about weird shit all the time? None of it matters. It's all stupid and there is no connection to anything. Also what is up with the girl in the yellow dress?

She wasn't the devil baby and the finger in the mouth thing? Was that just a reference to the ventilator because if it was, then that is beyond stupid.

Horrible movie, don't see it. Skeptic Professor Phillip Goodman Andy Nyman embarks on a nightmare fuelled quest to solve supernatural puzzles given to him by his idol.

Who himself has turned into a believer, much to Goodman's dismay. In his tumbling down a rabbit hole of terror, his beliefs and character fall into question.

But unlike Glenn-Ross it lacks the sharp persistence to have that format work for film, which Glenn-Ross largely does thanks to its setting and style.

Ghost Stories, on the other hand, has a style and tone of its own and it doesn't quite fit the film format, however, Dyson and Nyman do an excellent job of adapting the play to the screen.

What Ghost Stories does is break its story into sections, bookmarking them with title cards, as well as having some fourth wall breaking from our lead in the opening few minutes.

What this does wrong is not only set up false expectations of a mockumentary style but also gives the film an episodic feel, extracting any cinematic value these stories had into short give and take sideshows.

On there own the short horror stories do much to have you jumping out your seat and filled with the kind of dread that only the expectation of numerous cheap jump scares can provide.

Sadly almost the entire movie uses this staple of general horror flicks but when it moves away from this plainly overused technique to get scares, it comes into genuine thrills and horrific moments but then again only a few moments stand out for such.

Which mirrors how the performances are also, everyone has been cast just right, sliding into roles they are fittingly useful for believability sake.

The real shining performances comes from lead Andy Nyman who possess an almost genuine quality in his tumbling into suspected insanity or true contact with the supernatural.

The other being Alex Lawther who expresses horrific fear of his traumatic experience which after seeing into truly exemplifies the PTSD that his character now has.

There has clearly been care taken to focus on the characters, their lives, their story and how they were affected but there has equally been focused direction from two people, that is quite a feat.

Knowing full well how to manipulate the audience with shots that know when to remain tight and when to come wide, it's all working to elevate the horror.

Where the film truly elevates itself from the general rabble, however, is in its climax. Not only is it by far the most intriguing and gripping section of the film but it also presents plenty of questions and discussions for people to debate as they leave to the tune of a very humorous credits song.

It is rather confusing but that's what is endearing about how this story finishes, there are plenty of wildly different readings to the film you might have had to begin with or even halfway through.

Was the film an episodic challenge to the cynical social consciousness of Britain today, a hammer-horror thrill ride, perhaps a discussion on insanity, coma patients or even the supernatural world.

Maybe it is all of the above but that is really up to you to decide and the film gives you room to do so.

Ghost Stories takes its play to the cinematic landscape and while it makes a conscious effort to incorporate the new medium, its tone and style do not adapt to the fullest potential.

It leaves most of the film feeling like a cheap thrill ride in episodic adventures into the paranormal world. The characters are largely forgettable although very believable and genuine with performances that feel authentic and focused.

Sometimes comedic, sometimes frightening and sometimes just tedious, Ghost Stories falls short in its execution but offers a great selection of sideshow style stories that recall the cheap scares of a haunted house at an amusement park.

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